The period of Plenty

 

Life in Casamance among the Youth in
the early days of the Akonting Culture

 

 

 

The Akonting play style and history

 

The Jolas (a people of Gambia; Casamance, and Northern Guinea-Bissau) who have for centuries maintained a strong culture and a set of traditions, used a musical instrument that they called the Akonting/Ekonting. While once popular as a good way to call the attention of young women, played by cool boys is not as popular today. It has a calabash body, and three strings; one short, one medium long and one long. The short string functions as a drone, and is only played by the ball of the thumb. The medium long string is also always plucked by the ball of the thumb and the long string is always knocked by the nail of the index or middle finger. This style of playing the Akonting in Jola is called "Oteek" (which literally means beat the strings).

 

To play the Jola akonting you have to hold it like a guitar. It is normally played in the right hand position and with only two fingers. The short string is the one nearest to your chest and the long string near your right foot theigh. Then you partly close your hand, allowing your index or middle finger curve to the extend that its nail knocks comfortably the long string, and stretch the thumb so that its ball plucks comfortably the short and middle string. Hold these two fingers constant in this position throughout your playing. The noting is done on the long string only. The index and third fingers of the left hand do the noting. The position of the noting of the long string is where the middle string is tied. The motion of the hand is just like the motion of  the stroke style when playing the American banjo. This is in short how the Akonting is played.

 

This Jola Akonting was first constructed and played in the Jola community called KANJANKA in Casamance, southern part of Senegal. Kanjanka lies in the Jola commune called KAGINOL. According to my father, Sagari Sambo and many other Jola elders I have interviewed, the Jolas first saw the instrument from their neighbours the Manjagos and fell in love with the instrument and constructed in the same way as the Manjagos did, but then came up with a play style quite different from that of the Manjagos.

 

 

 

Whofuleto

 

According to all Jolas, the Akonting music culture originally was a dating culture. The word "Whofuleto" is a Jola Cassa Word, meaning to attract attention from the girls. Young people of one commune, when they want to date girls of a different commune, would take their Akontings together with their best Akonting players, singers and dancers and visit their neighbouring commune. These activities normally happened when the Jolas main economic activity is over. That is when they harvest all their rice from their mighty rice fields that stretch from Kanjanka to Alankeen. The Jolas called this period "the period of Plenty".

 

As soon as the girls hear the music they would come out with their beautiful dresses to listen to the music and associate with the new comers. When the Akonting players start seeing the girls, they would do all their best to play to convince the girls that they can play better than their young guys. Everybody would appreciate the coming of these guys to play in their commune and everybody would dance to the best of his or her ability to create attention to all. Normally they play up to early hours of the morning. When it is time to go home some of the girls who fall in love with the music of this new group would like to follow them to their commune.

 

This is where the whole atmosphere starts to be unfriendly and where the love trouble starts. Girls from the commune where the whole Akonting show was played, would like to follow the guys of the other commune for they would like to hear more of their music. The guys of the commune where the programme was held would feel jealous and try to prevent theirs girls to go with these guys. In the end, they would not succeed and the whole peaceful show turns to a civilised fight. A fight not to hurt your opponent but a fight to threaten your opponent, for all of them belong to the same extended family, it is only the communes that separate them.

 

So when they start to fight, they would take weapons like cutlasses and would use the flat side of the weapon to hit his opponent, only to threaten him to let their girls alone. This can go on for hours until the elders of the community hear the news and come out to cool them down. The following day they would all joke about it and laugh at the guys who ran away when they saw the cutlasses and praise the brave guys who face the danger and got hit by these cutlasses. As from that day onwards those who ran away are seen as cowards and those who stay and got hit are seen as brave men.

 

 

 

 

   Daniel Laemouahuma Jatta

 

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